Our re-telling of The Frog King includes a certain iconic song. You may have heard of it. It's called "All By Myself." We know how it fits in our play, but here are some other famous scenes employing the same piece of music!
FRIENDS - my personal favorite
Bridget Jones
Superhero Movie
And of course what is any blog post without a video of an amazing child singer?
10-year-old Lianah sings "All By Myself"
Thursday, June 10, 2010
Who are these supposed brothers and why are they so GRIMM?
Jacob and Wilhelm Grimm were born in Hanau, Germany in the late 1700's. They began collecting folk tales around 1807 and published their first collection of stories in 1812 after Jacob was named court librarian to the King of Westphalia. This first volume of fairytales was named Tales of Children and the Home.
The Brothers Grimm traveled around Germany, gathering stories from villagers and peasants. They also may have stolen published stories from other cultures. Jacob did research and Wilhelm did most of the writing. He provided the simple, child-like writing.
In addition to being storytellers, the brothers also worked on a German dictionary. It was massive, consisted of 33 volumes and weighed about 185 pounds. They only made it from A - F before their deaths, and the dictionary was not completed until 1960.
The Brothers Grimm traveled around Germany, gathering stories from villagers and peasants. They also may have stolen published stories from other cultures. Jacob did research and Wilhelm did most of the writing. He provided the simple, child-like writing.
In addition to being storytellers, the brothers also worked on a German dictionary. It was massive, consisted of 33 volumes and weighed about 185 pounds. They only made it from A - F before their deaths, and the dictionary was not completed until 1960.
Original Fairytales
GRIMM re-vamps 7 Brothers Grimm fairytales with a Boston twist. Some of the fairytales are well known like "Hansel and Gretel" or "Little Red Riding Hood." "Snow White and the Seven Dwarfs" has even been picked up by Disney and turned into movie. Some of these fairytales, you will probably not have heard of. Have you ever read "Clever Elsie" or "Stories About Snakes?"
So here are the original stories! They're from surlalune.com, and even include some history if you want to go that far. And if you read these now, you'll be all ready to see how we make them modern, seductive, funny and delicious.
The Frog King
Hansel and Gretel
Little Red Riding Hood
Clever Elsie
Stories About Snakes
The White Bride and the Black One
Snow White and the Seven Dwarfs
Enjoy! And don't forget GRIMM tickets have just gone on sale at bostontheatrescene.com!
So here are the original stories! They're from surlalune.com, and even include some history if you want to go that far. And if you read these now, you'll be all ready to see how we make them modern, seductive, funny and delicious.
The Frog King
Hansel and Gretel
Little Red Riding Hood
Clever Elsie
Stories About Snakes
The White Bride and the Black One
Snow White and the Seven Dwarfs
Enjoy! And don't forget GRIMM tickets have just gone on sale at bostontheatrescene.com!
GRIMM is in the Roberts Theatre!
Company One is a resident theatre company at the Boston Center for the Arts (BCA), and this year will be our first time in the Roberts Theatre in the Calderwood Pavillion at the BCA. We're so psyched to be in there! It's also bigger so there are more seats (meaning more people can come see the show!)
Fun facts about the The Roberts Theatre and the Calderwood Pavillion:
It's in the South End, right near our offices.
The Roberts is a flexible black box.
We can put between 157 and 250 audience members in the space.
It is named in honor of long time Huntington donors and subscribers Nancy and Edward Roberts.
Currently in the Roberts is Speakeasy's Great American Trailerpark Musical.
The Calderwood is almost brand new - it was just built in 2004!
Fun facts about the The Roberts Theatre and the Calderwood Pavillion:
It's in the South End, right near our offices.
The Roberts is a flexible black box.
We can put between 157 and 250 audience members in the space.
It is named in honor of long time Huntington donors and subscribers Nancy and Edward Roberts.
Currently in the Roberts is Speakeasy's Great American Trailerpark Musical.
The Calderwood is almost brand new - it was just built in 2004!
Thursday, March 25, 2010
C1 GALA TONIGHT!
So ladies and Gents,
Tonight is the C1 Gala.
Where else can you see the whole family decked out and ready to party?
I'll be posting pics tomorrow - but the only way to catch Tory (yes, Tory of slamboston MC fame) singing his welcome to all of us - OR - C1 alumni serenading you all night while you under bid on the fantastic silent auction items (check out the items you can bid on here: https://www.biddingforgood.com/auction/AuctionHome.action?auctionId=103141448 ).
So you can either look at the pictures here tomorrow - like the girl not invited to the party - or be featured in them yourself!
See you tonight!
Tonight is the C1 Gala.
Where else can you see the whole family decked out and ready to party?
I'll be posting pics tomorrow - but the only way to catch Tory (yes, Tory of slamboston MC fame) singing his welcome to all of us - OR - C1 alumni serenading you all night while you under bid on the fantastic silent auction items (check out the items you can bid on here: https://www.biddingforgood.com/auction/AuctionHome.action?auctionId=103141448 ).
So you can either look at the pictures here tomorrow - like the girl not invited to the party - or be featured in them yourself!
See you tonight!
Tuesday, January 19, 2010
Opening on the Right Foot!
Good Afternoon C1 Family, Friends and the like--Sabrina here!
This past Friday, January 15th, 2010, THE GOOD NEGRO opened at the BCA Plaza theatre to a sold out audience! Having worked on the show as the assistant to director, Summer L. Williams, I was so nervous and excited to share this play that I have come to love so much. To no surprise of my own, THE GOOD NEGRO was so incredibly well received by all who came out this weekend and I have no doubt that everyone has begun to spread the word.
Being a new kid @ Company One, I was so impressed by how every single member of the company was involved right down to hammering in the last nail to make this production come off with out a hitch! It was so incredibly inspiring to be a part of a team of people who work hard, play hard and love theatre so much that they always go that extra mile to make their productions of the highest quality.
AND SO, this is why you must come see THE GOOD NEGRO. All of the hard work, love and support from the cast, creative and technical teams have come together to truly create a remarkable piece of moving, honest, hysterical and deeply reflective theatre!
Being the Marketing Associate, I would like to throw out HUGE props to Mela and Stephi's on Tremont for donating amazing appetizers for us to have at our Opening Weekend Reception.
COMING SOON: INTERVIEWS with the cast and creative of THE GOOD NEGRO!
This past Friday, January 15th, 2010, THE GOOD NEGRO opened at the BCA Plaza theatre to a sold out audience! Having worked on the show as the assistant to director, Summer L. Williams, I was so nervous and excited to share this play that I have come to love so much. To no surprise of my own, THE GOOD NEGRO was so incredibly well received by all who came out this weekend and I have no doubt that everyone has begun to spread the word.
Being a new kid @ Company One, I was so impressed by how every single member of the company was involved right down to hammering in the last nail to make this production come off with out a hitch! It was so incredibly inspiring to be a part of a team of people who work hard, play hard and love theatre so much that they always go that extra mile to make their productions of the highest quality.
AND SO, this is why you must come see THE GOOD NEGRO. All of the hard work, love and support from the cast, creative and technical teams have come together to truly create a remarkable piece of moving, honest, hysterical and deeply reflective theatre!
Being the Marketing Associate, I would like to throw out HUGE props to Mela and Stephi's on Tremont for donating amazing appetizers for us to have at our Opening Weekend Reception.
COMING SOON: INTERVIEWS with the cast and creative of THE GOOD NEGRO!
Thursday, December 17, 2009
An Interview with Christmas Belles director, Greg Maraio
With Christmas Belles hitting the Boston Playwrights' Theatre stage for its final two shows this weekend, I caught up with director, Greg Maraio to give us the low down on how he found this hysterical play, his love of Christmas and a sneak peek in to what is coming up next for Phoenix Theatre Artists and Company One!
Sabrina Sydnor, Marketing Associate: So tell me about Phoenix Theatre Artists--history, company members, mission...
Greg Maraio: Phoenix started out as WAY Theatre Artists, and it was a collaborative idea between myself, Eliza Lay, and the company's first Artistic Director Julie Ohl. We produced several successful plays together including Dancing at Lughnasa, Love-Lies-Bleeding, and The Memory of Water. When Julie decided to step down as artistic director, we were prepared to go out on a high, however, I was amazed at how many people said "Please keep doing plays, we love what you are doing." So I decided to step up (nervous as I may have been) and Phoenix was born.
SS: How did you first find Christmas Belles? Had you seen the play produced elsewhere?
GM: We were looking for a crazy, alternative holiday show without pretension and had the least heart-warming message possible. We just wanted something that was fun. Fun to look at, fun to listen to, just a silly romp with silly characters and when I saw one of the writers worked on my favorite show of all time, The Golden Girls, I was hooked.
SS: What do you love about the show? Is it reminiscent of your style and past Phoenix works or is this show going out in a whole new direction?
GM: I love the characters, and I really love the actors, they make things so fun to watch. I am getting the chance to work with some old friends and actors new to Phoenix/Company One. I think that this show is different for us, we have never gone full out farce before. We did some heavy stuff, and it was a nice break to do a wacky comedy. Phoenix's mission is to try new things. Be reborn with every show, We want to give audiences tastes of all types of theatre.
SS: That being said, as a costume designer, how much weight does costume potential have on your play selection?
GM:None at all really, I mean, if I am reading a play and think, I can think of a really funny costume for this character, that's great. But in the end, the play comes first, and I think a good costume designer can find costume potential in anything. I will add though it does help when your characters are larger than life and can get away with gold lame' pants.
SS: Any major bumps in the process? GOSSIP! just kidding of course...
GM: It was tough for a while to nail the pace of the show. I knew I wanted this thing to move, and have a big force behind it. It a lot about entrances and exits. I didn't want to give the audience a lull of any kind!
SS: Cast and Creative-- who's new, who's a regular, who rocks? haha
GM: We have lots of new faces in the show, who I'm sure you will be seeing more of around Boston (at least.) And we have some regulars in the mix that you'll recognize from their two hit Superheroine Monologues productions.
SS: Did you feel that working on this piece has sufficiently gotten you in the Christmas mood or are you on literal Christmas overload?
GM: To quote Raynerd from the show, "I just love Christmas." But the answer is I have yet to do my shopping.
SS: What's next for Phoenix Theatre Artists? Tell me a little bit about 'Apple'. When does stuff kick off for that?
GM: Apple is one of the most amazing plays I have ever read. I think Vern Thiessen has created a contemporary masterpiece. The story follows Andy, a man who is in a very tough place in his life and is faced with some difficult decisions regarding his estranged wife and his young lover. I am so excited to bring this to Boston for its New England Premiere. We start rehearsals in February and I am overjoyed to say that Eliza Lay, co founder of Phoenix, is recently back to Boston and she will acting in the show. Its an intensely beautiful piece, filled with humor and heart. I hope everyone gets a chance to see it.
Sabrina Sydnor, Marketing Associate: So tell me about Phoenix Theatre Artists--history, company members, mission...
Greg Maraio: Phoenix started out as WAY Theatre Artists, and it was a collaborative idea between myself, Eliza Lay, and the company's first Artistic Director Julie Ohl. We produced several successful plays together including Dancing at Lughnasa, Love-Lies-Bleeding, and The Memory of Water. When Julie decided to step down as artistic director, we were prepared to go out on a high, however, I was amazed at how many people said "Please keep doing plays, we love what you are doing." So I decided to step up (nervous as I may have been) and Phoenix was born.
SS: How did you first find Christmas Belles? Had you seen the play produced elsewhere?
GM: We were looking for a crazy, alternative holiday show without pretension and had the least heart-warming message possible. We just wanted something that was fun. Fun to look at, fun to listen to, just a silly romp with silly characters and when I saw one of the writers worked on my favorite show of all time, The Golden Girls, I was hooked.
SS: What do you love about the show? Is it reminiscent of your style and past Phoenix works or is this show going out in a whole new direction?
GM: I love the characters, and I really love the actors, they make things so fun to watch. I am getting the chance to work with some old friends and actors new to Phoenix/Company One. I think that this show is different for us, we have never gone full out farce before. We did some heavy stuff, and it was a nice break to do a wacky comedy. Phoenix's mission is to try new things. Be reborn with every show, We want to give audiences tastes of all types of theatre.
SS: That being said, as a costume designer, how much weight does costume potential have on your play selection?
GM:None at all really, I mean, if I am reading a play and think, I can think of a really funny costume for this character, that's great. But in the end, the play comes first, and I think a good costume designer can find costume potential in anything. I will add though it does help when your characters are larger than life and can get away with gold lame' pants.
SS: Any major bumps in the process? GOSSIP! just kidding of course...
GM: It was tough for a while to nail the pace of the show. I knew I wanted this thing to move, and have a big force behind it. It a lot about entrances and exits. I didn't want to give the audience a lull of any kind!
SS: Cast and Creative-- who's new, who's a regular, who rocks? haha
GM: We have lots of new faces in the show, who I'm sure you will be seeing more of around Boston (at least.) And we have some regulars in the mix that you'll recognize from their two hit Superheroine Monologues productions.
SS: Did you feel that working on this piece has sufficiently gotten you in the Christmas mood or are you on literal Christmas overload?
GM: To quote Raynerd from the show, "I just love Christmas." But the answer is I have yet to do my shopping.
SS: What's next for Phoenix Theatre Artists? Tell me a little bit about 'Apple'. When does stuff kick off for that?
GM: Apple is one of the most amazing plays I have ever read. I think Vern Thiessen has created a contemporary masterpiece. The story follows Andy, a man who is in a very tough place in his life and is faced with some difficult decisions regarding his estranged wife and his young lover. I am so excited to bring this to Boston for its New England Premiere. We start rehearsals in February and I am overjoyed to say that Eliza Lay, co founder of Phoenix, is recently back to Boston and she will acting in the show. Its an intensely beautiful piece, filled with humor and heart. I hope everyone gets a chance to see it.
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